Collections processing updates

1985-10-01-Peyton-CarrAndPearl-Figure4-page2-detail.jpgOver the past several months the WCS Archives has processed six collections, five of which are wholly or partially open for research.   The finding aids for these collections have joined the descriptions of previously processed archival collections available through the WCS Library’s public website, www.wcs.org/library.  (The direct link to the Archives’ finding aids is: http://ielc.libguides.com/wcs/archives_fas.)  Included below are the abstracts for and links to the collections’ finding aids, plus an image or document from each. Continue reading

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From the doctor’s desk: the letters of Veterinarian Charles Gandal

Gandal performing a checkup on a baby gorilla, circa 1966. Animal Kingdom vol. LXIX (4), August 1966.Charles Gandal–or “Chick”, as he was affectionately called–served as the Chief Veterinarian of the New York Zoological Society from 1958 until 1969. With specializations in anesthesia and nutrition, along with an extensive knowledge of avian and reptilian diseases, Gandal was a dedicated veterinarian who was always busy caring for the animals at the zoo and researching how to more effectively treat them.

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Happy 50th to the (New) Aquatic Birds House!

Aquatic Birds House floor plan. WCS Photo Collection

This week on Wild Things, we’re celebrating a big Bronx Zoo milestone: the fiftieth anniversary of the opening of the new Aquatic Birds House. On September 24, 1964, New York Zoological Society members flocked (sorry! had to do it!) to a preview of the new exhibit, which featured herons and spoonbills, rails and stilts, flamingos and ibises, storks and jacanas, avocets and hammerheads, stints and plovers, terns and cormorants, and other birds dependent on wetlands. Continue reading

Trail blazing for women scientists: Gloria Hollister Anable’s papers

Gloria Hollister on a suspension bridge at Garraway, British Guiana, 1936. Scanned from WCS Archives Collection 1006

Processing the collection of Gloria Hollister Anable has been an enlightening experience not only because of her extraordinary life but also because of her obscurity. Relatively unknown outside of conservation circles, Hollister took part in several expeditions for the New York Zoological Society (NYZS), including Dr. William Beebe’s expeditions to Bermuda. During one such expedition to Nonsuch Island, Hollister descended in the Bathysphere, an underwater submersible, to a depth of 1,208 feet – at that time a record for a deep-sea dive completed by a woman. Hollister led her own expedition to British Guiana in 1936, worked in the first Red Cross blood bank during World War II, and in the 1950s was chairwoman of the Mianus River Gorge Conservation Committee. Continue reading

1970s Whale Songs Continue to Echo Today

Julie Larsen Maher_0542_Humpback whale in Antongil Bay_MDG_07 15 04 Few things can compare to the thrill of seeing a whale at sea. Every year, thousands of nature enthusiasts head out to sea in search of these leviathans, which to many have become the embodiment of nature itself. What’s the attraction? Whales are gigantic and graceful animals exquisitely adapted to the marine environment, and—as we have come to learn over the past half century—behaviorally sophisticated and intelligent. As mammals that left the land more than 50 million years ago, they are distant relatives after all, alien yet somehow familiar and endearing. Continue reading

Celebrating a Milestone in the History of Marine Studies

William Beebe peers out of the Bathysphere, 1934. WCS Photo Collection

William Beebe peers out of the Bathysphere, 1934. WCS Photo Collection

Today we celebrate the historic scientific expeditions that William Beebe undertook in the Bathysphere–including his record-setting dive to the deepest depths ever ventured by a human on August 15, 1934. To read the rest of this post, check out the WCS Photo blog, Wild View.

And come visit the Bathysphere and see some of the Department of Tropical Research artwork this summer at the New York Aquarium! The exhibition Drawn from the Depths, curated by Katherine McLeod, opens today, and the Aquarium is hosting a special NYA@Night tonight.  For more information and tickets, visit NYA@Night.

Diving into the Past: Discovering the Department of Tropical Research through Digitization

1005-20-01-0016-blog.jpg Spending months working with historical photos from a specific collection almost creates an illusion that one may have participated in the scenes depicted in these prints.  This notion particularly holds strong when carefully scanning and assigning appropriate metadata to historical photos from scientific research expeditions in beautiful locales filled with wondrous wildlife. Having the privilege to spend my photo archives internship working with many prints from the famous Bathysphere dives conducted by William Beebe and Otis Barton provided me with an imaginary tropical escape while also teaching me invaluable metadata skills. Continue reading

Shaping Wildlife: Animal Art in the Early Days of the Bronx Zoo (Part 2)

Wildlife Conservation Society_476_Proctor sculpting baboon_BZ_00 00 00_cropThis is the second part of a two-part blog post on art in the early days of the Bronx Zoo. See here for part 1.

Beyond the Bronx Zoo’s Lion House studio, New York Zoological Society officials attempted to oblige artists working at the Zoo. Director William T. Hornaday arranged a special reduced rate for artists at the nearby Parkway Hotel. “The place seems respectable,” he assured visiting artists, “although of course there is a bar-room attachment”—a feature that possibly bothered the teetotaling Hornaday more than his artist guests. Hornaday also sent out a general order to all employees that “artists, sculptors, zoologists and students generally” were to be given special attention and “whenever possible, seats should be offered.”   Continue reading

Shaping Wildlife: Animal Art in the Early Days of the Bronx Zoo (Part 1)

2016pc069“Intrepid are the artists who dare the wrath of wild beasts in the New York Zoological Park.”

So proclaimed a 1906 New York Tribune feature on the artists who studied their subjects at the New York Zoological Park, or Bronx Zoo, as it became more commonly known. To be sure, any work involving wild animals can be dangerous. Yet while Bronx Zoo officials could never guarantee the behavior of the animals in their charge, they set a new precedent for accommodating and encouraging artists working at the Zoo.  Continue reading